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1. We want to sing of the love of danger, the habit of energy and recklessness. 2. Courage, audacity and rebellion will be essential elements of our poetry. 3. Our painting and art highlight aggressive movement, feverish insomnia, the race, the somersault, the slap and the punch. We affirm that the splendor of the world has been enriched with a new beauty: the beauty of speed. 4. We want to praise the man who holds the steering wheel, whose ideal spear pierces the Earth, launched by the circuit of its orbit. 5. The poet must be prodigal with ardor, pomp and splendor to increase the enthusiastic fervor of the primordial elements. 6. There is no beauty except in the struggle. No work of art without an aggressive character can be considered a masterpiece. Painting must be conceived as a violent assault against unknown forces, to reduce them to prostration before man. We are on the highest promontory of the centuries! Why should we protect ourselves if we intend to knock down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute because we have already created the eternal omnipresent speed. 7. We want to glorify war - the only hygiene of the world - militarism, patriotism, the destructive gesture of the anarchists, the ideas for which one dies and the contempt for women. We want to destroy and burn museums, libraries, various academies and fight moralism, feminism and all other opportunistic and utilitarian cowardices. 8. We will sing to the great multitudes that work stirs, for pleasure or for revolt: we will sing to the multicoloured and polyphonic tides of the revolutions in modern capitals;